Productions
There is no sound with a following one. Something is always vibrating, cheekbones, the skin of the face, yes, the entire body. European music history prefers fundamental tones, they are deemed to be “harmonic”. Bells, batons, gongs… most of the resonant bodies outside of Europe are different. The composer meLê yamomo and the cellist Eurico Ferreira Mathias set off on a quest to expand the listening habits for the successful encountering of “disharmonic” tones.
60 min
14 € | 8 € reduced
A continuous, step-free and level access (incl. curb ramp) from the street to the building and the event area is available. The width of the door is 94 cm. No barrier-free parking spaces are available, but barrier-free sanitary facilities are available. There is space for wheelchairs or walkers in the event hall/area and there is the possibility to enter the hall ahead of time in agreement of the particularly suitable seat reservation and/or with the staff on site. The need must be announced before the visit.
The performance is suitable for audiences 12 years and older.
Contact: Jens Schneider
E-mail: technik@ballhausnaunynstrasse.de
Phone: 030 34 74 598 48
Cast
Production manager: Rita Ventura
Credits
A production by Kultursprünge im Ballhaus Naunynstraße gemeinnützige GmbH as part of the Decolonial Frequencies festival. Funded by the State of Berlin, Senate Department for Culture and Europe.
Artists
meLê yamomo
meLê yamomo has lived in Manila, Seoul, Bangkok, Warwick, and Munich, and is now based in Amsterdam and Berlin, studying, teaching, and creating performance theatre and sound as well as music.
Eurico Ferreira Mathias
Brazilian cellist Eurico Ferreira Mathias started to play the cello at the age of 18 in his hometown Porto Alegre. In 2005 he moved to São Paulo to continue his studies, becoming involved in different orchestras and ensembles: OCAM, Osusp, Orquestra Tom Jobim, OER.